We Killed: The Rise of Women in American Comedy
| Author | : | |
| Rating | : | 4.89 (693 Votes) |
| Asin | : | 1250037786 |
| Format Type | : | paperback |
| Number of Pages | : | 352 Pages |
| Publish Date | : | 2015-04-22 |
| Language | : | English |
DESCRIPTION:
"Do These Jokes Make Me Look Fat?" according to takingadayoff. We Killed is like reading a good documentary film. It's organized roughly chronologically, from the 1960s to the present. The emphasis is on stand up comedy and TV. Author Yael Kohen introduces each chapter with a little background, then lets everyone speak for herself. Sometimes it seems as if there are seve. Imagine You are Watching a Documentary Yael Kohen writes, We Killed: The Rise of Women in American Comedy at the time of and in response to Christopher Hitchens’ article in Vanity Fair proclaiming women aren’t funny.“Comedy has always reflected society- its values, taboos, norms. Surely, then, it only makes sense that the rise of. "essential history" according to ggjumpshot. Author Yael Kohen presents here an easy to access history of comedy, place and personality. It's all here in one place. 'We Killed' takes you behind the scenes of some of our most famous talents and is, quite naturally, hilarious. A great gift idea (for mom, for sis) for the upcoming holidays.
New York Times Book Review Editors' ChoiceA Very Oral History With a New Introduction by the Author "We Killed shines in its details and its anecdotes.Well crafted and entertaining."The Boston Globe From live comedy to television and bestseller lists, women rule the comedy industryand, as this fascinating oral history shows, they have fought long and hard to make their way to the top. With a chorus of more than one hundred creative voices, We Killed takes us backstage to tell the story of the revolution that brought us Tina Fey, Sarah Silverman, and Chelsea Handlerand a world where women can be smart, attractive, sexually confident, and flat-out funny.. Beginning with the emergence of Phyllis Diller and Joan Rivers in the fifties, and moving forward to the edgy intelligence of Elaine May and Lily Tomlin on to the tough-ass stand-ups who would take SNL by storm, Kohen chronicles the false starts, backslides, and triumphs of female comedians. In We Killed, Yae
When Saturday Night Live came on the scene in 1975, Gilda Radner’s caricatures of public figures and original creations made an impression. The chronicle begins with the late, great Phyllis Diller, whom Kohen interviewed before her death, in August. Men largely dominated the show until the mid–1990s, when Molly Shannon’s hyperactive Catholic teen, Mary-Catherine Gallagher, became a sensation, paving the way for funny ladies Tina Fey, Amy Poehler, Maya Rudolph, and Kristen Wiig to make it big in the next decade. While Diller mastered rapid-fire stand-up, Joan Rivers got her start lamenting her single status, and Lily Tomlin created eccentric characters. Filled with recollections from comedians, comedy-club owners, and writers, this remarkable oral history is a must-read for entertainment buffs. D